Bonnie Kemske is an artist, writer and former editor of ‘Ceramic Review’. Born in Okinawa but raised in the US, she studied the Zen Buddhist artform of Chanoyu in Japan before undertaking a PhD at the Royal College of Art, becoming a ceramicist and researcher. She speaks to Georgina Godwin about her latest book, ‘Kintsugi: The Poetic Mend’, which explores the unique tradition of repairing pottery with a visible, often gold-leaf-covered join.
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