Whether to use the Canon XH-A1 or the Panasonic DVX200 is more than
just HDV versus HD, or tape versus P2 solid state. It comes down to
what you know, and I know the Panasonic better than the Canon. Brand
wise, I'm all over Canon. The first film SLR I purchased with my own
money was a Canon FTb. Tough as a tank; I loved that camera.
It's
just that I believe that it's easier to create when the tools being
used are transparent, that is, they're so familiar that they're
effortless to use, acting as an extension of your body. At this point I
can't say this is true for any video camera I've used, but the
Panasonic is the closest. In the show I give a little detail on the
advantages it has over the Canon.
One of them is the ability to shoot in true slow motion. I've put some examples on my YouTube page of slow motion and accelerated motion footage and as well as a video demonstrating rack focus.
We've
spent a lot of time in class reviewing the data forms we need to fill
out to create our production book. The book, which is a collection of
forms signed, lists of names and shots, drawings, sketches and other
information that represents the roadmap to our final destination, the
finished film. It's a work in progress, but we do have to something to
show before the end of the module.
Don't forget to send me questions you want answered while I'm at NAB,
the National Association of Broadcasters conference, coming up in mid
April. I'm available for meetups if you're in Las Vegas at the same
time.
