Why can’t you just read the score that you want to perform?
Dedicated to the Italian genius composer Girolamo Frescobaldi (1583-1643), this episode is an introduction to early music performance and textual sources. Francesco Corti, harpsichordist and conductor, explains the principles of musical improvisation and, above all, how composers told their contemporaries how to play their music. We will then go on to discover the cultural and musical revolution that was the 'Seconda Prattica', a revival to which Frescobaldi contributed greatly.
CREDITS
guest Francesco Corti, harpsicordist and conductor
interview & editing Andrew Burn
production REMA
credits music
Platée, Act 1, Orage - Jean-Philippe Rameau
performed by Les Talens Lyriques, dir. Christophe Rousset
Camera Lucida 2014
All rights reserved - Courtesy of Les Talens Lyriques
design Doretta Rinaldi
original drawings Vincent Flückiger
cover score Folio, Harpsichord pieces, 1607-1637 (Bibliothèque Nationale de France, FRBNF14792481)
music
Primo Libro di Toccate: Partite sopra La Monica, Toccate, canzone, versi d'hinni, Magnificat, gagliarde, correnti &Toccata nona, "Non senza fatiga si giunge al fine” - Girolamo Frescobaldi
performed by Lambert Colson, Alice Foccroulle, Bernard Foccroulle
Organ Works, Ricercar 2017
