Today I'm joined by Australian First Nations artist BLAK DOUGLAS to discuss his highly political art, censorship in the Australian arts with regard to speaking out about Palestine, and the legacy of colonization in Australia, his identity, and his work. Blak has won numerous major prizes, including the Archibald Prize (2022), and his paintings hang on most major museum walls in the country where his ancestors have been custodians of the land for tens of thousands of years before and after Europeans arrived.
Learn more about Blak and check out his artwork at his website: https://blakdouglas.com.au/about/
5AM StoryTalk would like to acknowledge the Traditional Owners of the land on which this podcast is recorded, the Djarra people of the Kulin Nation and pay respects to Elders past and present.
A BONUS EPISODE, exclusive to 5AM StoryTalk’s bad-ass paid subscribers, is also available via Apple Podcasts or here at Substack: https://colehaddon.substack.com/p/bonus-episode-blak-douglas-talks
In it, Blak and I discussing a seminal piece of art from his life – the 1966 Australian $1 banknote, which featured a design that brazenly stole the bark paintings of Aboriginal artist David Malangi.
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Show notes. Blak and I discuss the following and much more:
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