With Trump again threatening war with Iran, last week’s best-known scandal—the president doctoring a hurricane map with a marker—might already seem quaint. But #Sharpiegate was revealing. It showed the depths to which the federal bureaucracy, including Trump’s deeply corrupt Secretary of Commerce Wilbur Ross, were willing cover for the president’s insanity and crimes. And it showed the ways in which the noise from the White House can be used to cover up the damage it causes in the world.
Gabriel Synder, the Columbia Journalism Review’s resident New York Times public editor, joined me for a discussion about Sharpiegate, the Stupid Show, and how not to cover the presidency. We talked hurricanes, mushroom clouds, and Maggie Haberman.
You can keep independent journalism going by signing up for this newsletter/podcast at katz.substack.com or using the box below. Thanks for listening.
Transcript (automatically generated, may contain errors):
Audio clips: 00:00 [Nicole Wallace, MSNBC: It appears the White House attempted to retroactively correct a tweet that the president issued over the weekend in which he warned ... Alabama would in fact be impacted. The graphic appears to have been altered with a Sharpie ... [CNN Host: ... a forecast map altered by a black marker to prove his point ...] [24horas.cl: ... un marcador por encima de la linea blanca ] [Stephen Colbert: He used a Sharpie to extend the path into Alabama [laughter]] [Clip: This is what's become Sharpiegate] [Liz Wheeler, OANN: ... so obsessed with Sharpiegate …] [Brian Williams, MSNBC: Does anybody remember Sharpiegate?]
Jonathan M Katz: 00:26 ... To the point that you know, I, and you are on this podcast where I have complete editorial control. We could talk about anything I want and we're talking about it!
Intro Music: 00:41 [Music]
Jonathan M Katz: 00:44 It's getting stupid out there. Hi. Welcome back to The Long Version. This is the audio edition of the newsletter that you can find at katz.substack.com. That’s k-a-t-z dot s-u-b-s-t-a-c-k dot c-o-m. I am the eponymous Jonathan M Katz and it is currently September 16th, 2019. That's a Monday for those of you who've lost track. I know I have. It's very hard to keep track of what's going on in the world right now. Remember Sharpiegate? Feels like it happened about a billion years ago when the president of the United States used a marker to draw on a weather map so that he wouldn't have to admit that he was wrong? Anyway, that was about last week. So today, while the world is consumed with trying to figure out if he is going to declare war on Iran to defend Saudi Arabia's oil fields in a war in Yemen, that Trump refuses to get out of. I wanted to go back a little bit to a conversation that I had a couple of days ago with a special guest, Gabriel Snyder.
Jonathan M Katz: 01:53 Gabriel is a journalist. He was the editor in chief of the New Republic. We worked together way back in the neolithic era when I was covering the Paris climate talks back in 2015. Remember those? He is now at the Columbia journalism review where he occupies the very cool role of the public editor for the New York times. Not employed by the New York times, which I think is possibly the best way to do that. He is, is serving a role that used to be filled in the times newsroom of, of looking at the journalism there, responding to, to critiques and concerns that readers have. He does an excellent job. You should definitely check out his stuff. We had a conversation about a piece that I had written a couple of days before that called turn off the stupid show in which I was talking actually primarily in that piece about what was going on in the United Kingdom with Boris Johnson, the "Tesco Value Trump" prime minister they have over there.
Jonathan M Katz: 02:50 That was my attempt at British humor in the piece. Something spoke to him in the piece and I think we sort of both agreed that there's a bunch of real stuff that is going in the world. A lot of it, the fault of the president of the United States, but it is very hard to pay close attention to what is going on precisely because there's just so much noise coming out of the white house and it can be very hard to figure out what is important and what isn't. And so we sort of had a conversation about that and I think that it I think it was really interesting. I think it was really enlightening and even though it was about the president drawing on a map with a marker like a child we both saw the ways in which that spoke to, to a much bigger, a much more serious issues.
Jonathan M Katz: 03:36 And I think now that once again, as they have so many times in his presidency, war clouds are gathering. It's important to understand the way that the reality show that this reality show president is overseeing serves to confuse people and make it very difficult for us to make a important decisions as a country and to observe the, the, the crimes and the dangers that are coming out of Washington. Anyway, I think it's a really interesting conversation. You're going to totally dig it. Here is my conversation with Gabriel Snyder. Gabriel, welcome to The Long Version.
Gabriel Snyder: 04:09 Thanks for having me.
Jonathan M Katz: 04:12 Thank you for being here. I know you've been talking about how for the last couple of days, all of your feeds and this was true for me as well were filled with a Sharpiegate. You said while you were appalled by Trump's disregard for truth or reality, you have no desire to engage in the infinite loop of debunking and fulminating what's the point? So yeah, tell, tell me a little bit what you were thinking there and and we'll go from there.
Gabriel Snyder: 04:38 In the past, you know, I guess it's going on three years now. I've watched my media consumption change just profoundly, I think after the election where, you know, everything kind of kind of changed over the, the, the next thing that I was noting was just this monoculture. Like there was an incapacity for at least the circle of people that are in my Twitter universe to think about more than one story at a time. And since 2016, that story has pretty much been all Trump all the time. But it's also just kind of made me think about sort of, you know, how the attention economy works with a, when you have a president who is a product of, you know, media culture, what point does continuing to watch actually make him stronger and give him more sway over the culture?
Jonathan M Katz: 05:35 Yeah. But to a certain extent, it's kind of, I don't know, maybe I'm making sort of a, maybe both of us are kind of making kind of a, a facile complaint, right? It's, people always complain about this in journalism. Journalism is always about why are you painting? Why are you paying attention to this instead of that? So I mean, do you think that this is different from that or are we just like sort of being like,
Gabriel Snyder: 05:55 Well, I hope I'm being different than that. I mean, I, I, I have to say, I, I've always been very resistant to the, you know, the complaint of why is the media covering X when, you know, why is so much more important? You know, I've, I've recently been doing this Columbia journalism project. I'm acting as the public editor for the New York times. And so people send me these complaints, a lot of these complaints that come in through Twitter and they're like, Oh my gosh, how dare, you know, the New York times tweet out a joke about something in the style section when X, Y,Z is terrible. That's happening in the world. And,uand it's, it's always kind of, I've always been resistant to that as an editor because, you know,unewspapers are big, staffs are big. They, they do lots of things.
Gabriel Snyder: 06:39 You know, it doesn't mean, you know, the existence of a sports department doesn't mean that the foreign desk is any less important. But I think the, the reason why all of this came up with Sharpiegate, which, which actually, you know, twist, I, I've, I've kinda changed my opinion on a little bit since I sent off that email to you, but is that there, there has been just this glee of, you know, this meme of vacation of Sharpiegate that that happened that really didn't seem rooted in doing anything. It seemed, it seemed rooted in entertaining people and there is sort of a, you know, a very natural, you know, yearning to, you know, have laughed instead of have a cry during the, during the Trump years for people who are terrified of them. The, you know, what the other, the other massive change that I've had in my media consumption is I can't watch any of the political satire shows.
Gabriel Snyder: 07:36 I mean, and I say that as someone who thought Jon Stewart was the smartest best thing on TV was I modeled myself, I modeled, modeled by the publications I edited after John Stewart and I just have had to completely turn it off. You know, cause I, I, there's this, there's nothing funny about the news right now. Is I guess I guess is, is, is my feeling. And, and so, you know, while I, I, I think, you know, John Oliver does great and Sam B is fantastic and Trevor Noah and all the rest, I, I just don't feel like they have, I, there was just a profound shift in what they had to offer, offer me an [inaudible]. And I've been getting that a lot of thought, you know, what is that? I think, I think the big change, and I think it's related to everything, you know, Brexit and the world falling apart is social media.
Jonathan M Katz: 08:27 Yeah, exactly. And there's also nothing to puncture. Like, you know, during the Bush administration part of the joke, or really the joke was that, you know, George W. Bush still sort of carried himself with a certain dignity in office people. People at least, you know, ascribed to him a certain dignity of office. You know, there was the idea, you know, the Iraq war was sold as something that was in the country's best interest. It, you know, it was, it was built on lies. It was all about revenge. But the way that, the way that it was sold to the public was there's a clear and present danger facing the United States. In a situation like that, you can have somebody like John Stewart who can be like, you know, Mesopotamia and, and everyone's like, Oh ha ha ha, like, and of course, you know, and the emperor has no clothes because like George W. Bush is an idiot.
Jonathan M Katz: 09:22 And like, he, he can't talk. And he like, he clearly can't think very well and [inaudible] why does it, nobody noticed this? Whereas with Donald Trump, everybody knows it and it's, you can't, you can't out clown a clown. And I, you know, I, I think the, I mean let's, I, I started to kind of do want to drill into Sharpiegate a little bit because it is a really interesting moment cause of course what it is like fundamentally what it's, what it's a story about is that the president of the United States fabricated in a childish clownish way, a government document broadcast it to the world for no reason other than to avoid admitting that he had made a mistake. And it was, you know, during, it was in the middle of an actual national crisis. And instead of dealing with those things the president of the United States was forging documents in like in, in the stupidest way anybody possibly could. And so it's like at one level that is really dumb. And like almost, it doesn't deserve the time of day. On the other hand, it was a federal crime. And and I actually kind of important, what do you make of it now? You said you had changed your mind about is the problem that the mono culture that we were just, we were all paying attention to this one thing? Or should we have not have been talking about that at all?
Gabriel Snyder: 10:52 Well, what I think changed was the story that was reported out on Friday and I believe it was in New York times, although it was Washington post. I apologize that reported on what the Wilbur Ross did to get the statement out of NOAA. Yes. The secretary of commerce and you know, calling up the acting head, the appointee, it wasn't just a civil servant, but calling up the Trump appointee to say, you know, you've got to put out a statement saying that your, your, your staff is wrong and the president's right. Yeah. It turned a story about, you know, what did, what's the latest dumb thing that Trump did into here is how power works in our country today. And, and I think that that story is so important because in all of the, sort of my thinking about like what has changed, why has everything in the media changed?
Gabriel Snyder: 11:51 Why is w what is, why does that, why does the world seem like it's going to help? The one idea I keep coming back to is that the stories we tell ourselves about how power works, every culture has them, right? And they have stopped making sense in our culture right now. And, and so we are, we're, we're in this point of, of kind of relearning how power works and, and what, what I mean by that is like, you know, think about all of the run up to the Mueller report, right? I mean, all of that was largely kind of defined by Washington insider, conventional wisdom of how power is exercised in D C when it comes to, you know, crimes that the president has committed. You almost kind of think of it as more of like a chain of dominoes that, well, if this thing happens and it's gonna cause all these other dominoes that eventually could lead to impeachment. Right, right. And, and, and, and it's, you know, so clear that that set of dominoes just doesn't, it doesn't look the same anymore. And, and I think, I think this, this, you know, the, the, the, the satire, you know element, which, you know, where w which is where S Gates started was kind of this, it was kind of rooted in this old, this, this outmoded notion of, of, of chain of chain events, right. And, and, and so
Jonathan M Katz: 13:07 And one of the other things that happened was that the president was caught in an obvious lie and then he got people to cover
