Listen

Description

Episode 14 is upon us, and spending some time with Some Devil by Dave Matthews* — a record that feels less like a big statement piece and more like sitting across from someone telling you exactly where they’re at in life.

Released in 2003 as Dave Matthews’ only true solo studio album, Some Devil strips away a lot of the huge live-band energy people associate with him and replaces it with something quieter, warmer, and way more vulnerable. It’s reflective without feeling overly polished, emotional without trying too hard, and full of the kind of songwriting that sneaks up on you after a few listens.

We talk about how the album blends folk, soft rock, and subtle Americana influences into something that feels incredibly human — especially on tracks like “Stay or Leave,” “So Damn Lucky,” and “Gravedigger.” There’s this constant tension between hope and sadness running through the whole thing, and it’s probably why the album still connects with people more than 20 years later.

We also get into the legacy of the record, including “Gravedigger” winning the Grammy for Best Male Rock Vocal Performance in 2004, and why Some Devil still feels like one of the most honest and underrated projects Dave Matthews has ever released.

More than anything, this episode is really about why albums like this stick with us — the records that don’t need to shout to leave an impact.

Expect honest reactions, favourite moments, deep dives into the lyrics and production, and the usual unapologetic music nerdery.

If you’ve loved this album for years, or you’re hearing it for the very first time, this one’s for you. 🎧

Episode links:

- "Sister" - Dave Matthews: ⁠https://www.youtube.com/watch?v=NuxQUQaAe0c⁠

- Dave & Tim Live at Radio City Music Hall: ⁠https://www.youtube.com/watch?v=GNmJoLyivIc&list=RDGNmJoLyivIc&start_radio=1⁠

Follow / Like / Subscribe:
Instagram — @thebudspoduk
YouTube — @thebudspodcastuk
Email — thebudspodcastuk@gmail.com

Hit follow or subscribe to catch more weekly album deep dives, breakdowns, and passionate overanalysis of the music we love.