This week’s episode is all about the art of conversation...or rather, the conversation of art. Artist Zoe Walsh and Expo Visual Arts Editor Brianna J.L. Smyk dig deep into how Zoe’s “Peripheries of Love” deconstructs gender, sexuality, and identity in a very literary way. See Zoe’s gorgeous art in our Hunger issue at: http://expositionreview.com/issues/vol-vi-hunger/the-peripheries-of-love/
About the Contributor:
Zoe Walsh (b. 1989, Washington D.C.) received their BA from Occidental College and MFA from Yale University. Solo exhibitions include I came to watch the morning rise at M+B in Los Angeles, Exposures at the Fondation des États-Unis in Paris, and Desire Distilled, curated by Jesse Mockrin, at Pieter in Los Angeles. Recent group shows include Eleven Figures in II Parts, Atkinson Gallery, Santa Barbara City College, Santa Barbara, California; Brush Against, Peppers Art Gallery, University of Redlands, Redlands, California; Queer Paranormal: An Exhibition Concerning Shirley Jackson and “The Haunting of Hill House,” Usdan Gallery, Bennington College, Bennington, Vermont; Virtual Dream Center, La Maison des Arts, Malakoff, France; and Queering Space, Alfred University Fosdick-Nelson Gallery, Alfred, New York. Zoe Walsh lives and works in Los Angeles.
Links from the Podcast:
Thank you to Mitchell Evenson for intro and outro music, and the generous donations from our supporters that allow us to pay our authors. Exposition Review is a fiscally sponsored project of Fractured Atlas.
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Associate Producer: Mitchell Evenson
Intro Music by Mitchell Evenson
