Fincher Month gets viciously domestic with Gone Girl—the chilling, twist-heavy thriller that turned relationship goals into red flags. This week, we dive into Amy Dunne’s villainy/genius, Nick’s mediocrity, and Fincher’s surgical approach to modern marriage and media spectacle.
Is it a feminist masterpiece, a satire, or something way more sinister? We’ve got thoughts—and they’re more than just cool girl monologues.
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