With Tenet, has Christopher Nolan become too Nolan-y, verging on self-parody?
We discuss the filmmaker’s delayed sci-fi espionage thriller, the problems with its time inversion mechanic, the admirable action set-pieces, and—the big question—whether it is worth a trip to the cinemas.
Later, we talk about Disney’s newly-unveiled massive slate, with a focus on Star Wars and Marvel.
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