On Episode 107 of the Always the Critic podcast, we slow down and cover the first half of Hitchcock’s career during the 1950s… the Grace Kelly era.
Rico Albarracin and Jessica Firpi talk through his bizarre antics and sadistic pranks, controlling perfectionism, and studio switch from Warner Bros. to Paramount, stopping to discuss at length Strangers on a Train (1951), Dial M for Murder (1954), Rear Window (1954), and To Catch a Thief (1955). Learn more about the seminal director and the films that he made and that made him great.
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