This week, Sarah and MJ discuss the aftermath of the previous scene's montage as well as the way the film does not let the audience catch its breath before showing the shark swimming into the pond. They discuss the masterful pacing and tension captured within the scene, the most 1970's art teacher lady, the brilliance of the one guy who has to ruin it all, and then they take a detour to Washington Heighst. Also, Sarah blows MJ's tiny mind with a detail from earlier in the film.
