If it’s not entirely obvious, I’m a THEATRE person. I am not a THEATER person, not really. This is partly a silly distinction of spelling and partly a really serious long-standing American problem.
And before I go any further with this, let me acknowledge that I now think I’m on the wrong side of this divide. It’s a side I’ve fought for, one that I reinforce every time I spell my company’s name or website or email address, and one I somehow cannot seem to let go, no matter how on the wrong side of it I am.
I started to think about this when a European friend asked what we call the break, or pause, in a performance. I’d been thinking about all the ways that theatres are set up to make people feel like outsiders when they arrive and the simple fact that we call this break an intermission suddenly struck me as yet another way our theatres create this rarified atmosphere. We don’t take a break, no, no. We take – an intermission. So many things about going to the theatre are built to suggest that it is for the elites. We’ll have no groundlings here, please and thank you. This is why we have velvet ropes. And this is not an accident.
To keep reading The Theatre Theater Problem and the Intermission visit the Songs for the Struggling Artist blog.
This is Episode 299
Song: The Grand Theatre - Old 97s
Image by sabinevanerp via Pixabay
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Emily Rainbow Davis
