This week’s episode is the second part of our chat with Eris DeJarnett, an interdisciplinary narrative artist, composer, performer, and scholar. This week, we talk with Eris about the future of music, how performers and organizations can make lasting change, and learn about some incredible creators to add to our stands. Make sure to check out part one, which covers about eir upbringing in music, their experiences as an openly non-binary person, and the challenges ey have faced in and around the classroom. Transcripts are available on our website!
From Dec. 1-31, 2021, 50% off two scores with code BuryTheDeadname by visiting Eris’s website: https://erisdejarnett.com
To learn more about Eris and all eir recommended resources, check out the links below!
TWITTER: https://twitter.com/honestlyeris
INSTAGRAM: https://www.instagram.com/honestlyeris/
PATREON: https://www.patreon.com/erisdejarnett
YOUTUBE: https://www.youtube.com/channel/UCXuIe8U1JiKG1glN-p6sdPw
SOUNDCLOUD: https://soundcloud.com/honestlyeris
eris@erisdejarnett.com
DISCORD: https://discord.gg/JYKnJkN7gy
Music orgs:
5th Wave Collective: https://www.5thwavecollective.com
...And We Were Heard: https://www.andwewereheard.org
Castle of our Skins: https://www.castleskins.org
Decolonizing the Music Room: https://decolonizingthemusicroom.com
WasteLAnd: https://www.wastelandmusic.org
Queer resources:
Gender Census: https://gendercensus.com
AUREA: https://www.aromanticism.org
Nonbinary Wiki: https://nonbinary.wiki/wiki/Main_Page
Pronoun Dressing Room: http://www.pronouns.failedslacker.com
People whose work Eris really admires:
Nebal Maysaud: https://www.nebalmaysaud.com
The Honourable Elizabeth A. Baker: https://elizabethabaker.com
Mattie Barbier: http://mattiebarbier.com
Cait Nishimura: https://caitnishimura.com
brin solomon: http://www.brinsolomon.com
Daijana Wallace: https://www.daijanawallace.com
Tanner Pfeiffer: https://www.tannerpfeiffer.com
Drew Swatosh: https://drewswatosh.com
Lexi Temple: https://alextemplemusic.com
Imani Mosley: http://www.imanimosley.com/welcome
Matthew D. Morrison's essay: https://online.ucpress.edu/jams/article/72/3/781/107058/Race-Blacksound-and-the-Re-Making-of-Musicological