Following the release of COLOSSEUMS, 2022 was a huge year for The Institutes. They kicked it off in style with an invitation from one of their heroes, Tim Burgess, to appear on his legendary Twitter Listening Party and chat about the story behind their debut album.
This led to a sold-out hometown show at The Kasbah in Coventry and was followed by their first USA tour, playing 20 shows in 2 weeks including packed-out gigs at tastemaker festivals SXSW in Austin and New Colossus in New York, plus a SOLD OUT headlining show in Los Angeles.
The band returned home and continued to tour across the UK, selling out Manchester and their hometown of Coventry and topped off the summer with festival appearances at the Isle Of White, Camper Calling and Shiiine On Weekender festivals.
The band’s musical output is too eclectic to pigeonhole, but wears its influences proudly, sitting somewhere between shoegaze and indie rock, with a nod in the direction of Fleetwood Mac harmonies and The Byrd’s psychedelic jangles. At times raw, and at others refined, their sound is filled with candid and vulnerable, poetic lyrics on a bed of layered guitars, soaring howls and a solid grooving rhythm section, which has seen them gain plaudits for their album and their live shows worldwide. The Institutes can switch from chaotic but ecstatic melodic wonder to delicate brazen honesty in the blink ofan eye.The Institutes have already proven they can produce one deep, engaging, moving and timeless album, after only their first year together. With all the recent evidence pointing towards a shifting up of the gears for their 2nd Album, due later in 2023 and destined to be a game changer.
