LA-based collective Beauty In Chaos release their fourth long-play record 'Dancing With Angels' on July 24 via 33.3 Music Collective. Their fourth album cements BIC's legacy for crafting captivating and imagination-stirring music with eight diverse, riveting tracks on offer. BIC has also just unveiled the video for 'Holy Ground', a lush offering featuring Patrik Mata of seminal darkwave band Kommunity FK,
Beauty In Chaos was formed in 2018 by guitarist Michael Ciravolo (formerly of Human Drama and Gene Loves Jezebel and currently President of Schecter Guitars) with Grammy nominated producer Michael Rozon (Ministry) as a revolving evolving sonic entity. To date, Beauty In Chaos has involved numerous music luminaries, including members of The Cure, Ministry, Cheap Trick, The Offspring, Gene Loves Jezebel, Marilyn Manson, Human Drama, Bauhaus, Nine Inch Nails, Van Halen, A Flock of Seagulls, dUg Pinnick (Kings X), ICE-T, guitar icon Zakk Wylde, Rolan Bolan, and many others.
"The title was inspired by a painting from a talented German artist Maren Platzhoff, which also became the album’s cover. As Michael Rozon and I began writing the music for this release, I knew I wanted to blend artists from our first two releases with some amazing new members to our BIC family," says Michael Ciravolo.
This eight song release features BIC alumni Ashton Nyte, Holy Wars firecracker Kat Leon, and both Wayne and Cinthya Hussey. Ciravolo shares “I love bringing in ‘less famous’ but certainly no less talented artists to the fold, and I think this album does just that”. Leo Luganskiy, Julian Shah-Tayler, former Silence In The Snow frontwoman Cynthia Isabella, The Bellwether Syndicate’s William and Sarah Faith, and Patrik Mata (main-man of seminal darkwave band Kommunity FK) bring immense and diverse talents to “Dancing With Angels”.
Ciravolo describes this album as sort of a "sonic regression and a sonic progression", noting “I meant this as a positive thing, taking some of the post-rock elements of our debut album, the stark dark bits that run through ‘The Storm Before The Calm' and the gothy dreamy-gaze of 'Behind The Veil’. It was definitely going a bit backwards to take a few steps forward!”
