David & Huey have a difficult time interpreting Werckmeister Harmonies (2000), naked old men, slow-cinema, stream-of-consciousness literature, the metaphor of an eclipse, the correlation between fear & ignorance, how fear & anger are political tools used to control whole populations, the disparity of experience between watching high-quality & low-quality digital copies of films, & how Bela Tarr's other film Sátántangó (1994) once gave Huey an existential crisis that lasted for several years.
Featuring a special appearance by Theo Thimo!
