In the biggest stylistic turn yet, Freddie's composition "Bring Back That Leroy Brown" has many instrumental features we'll (almost) never get again. Double bass. Banjo. Tack piano. And Freddie singing with such impressiveness, sounding jazzy and inspired by choral groups of the '50s or '60s. Visions of vaudeville come to mind listening to this surprisingly fun shift. And live? It's such a welcome refresh. Freddie calling the audience "lovies" is the sweetest thing.
