Kicking off the door to May, we kick around the ball of complexity that includes, but not limited to:
Z's relationship to this film, the film's relationship to the source text, the source text's relationship to historical fact/settler propaganda.
Plus we talk: color v light theory, "historical reenactments", and probably food &/or sex
History Buffs: The Last of the Mohicans
The Sameer Project
gazafunds.com
No matter what occurs, stay tuned.
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Outro: Russell Means performing Ain't No Prison for the Corporation
