Episode six of season three, during which Lydia chats with Anna Rose Nelson (University of Michigan) about her experiences as a strings player, her research on (post) modernist music from Webern to Ferneyhough, and music theory as a compositional tool. We also read and discuss Lloyd Whitesell's "White Noise: Race and Erasure in the Cultural Avant-Garde" and Susan McClary's "Terminal Prestige: The Case For Avant-Garde Music Composition."
Timestamps:
Anna's background: 3:26
Anna's masters thesis and dissertation: 17:43
Summarizing and discussing the articles: 30:00
Get in touch with us at: thetheoryclubpodcast@gmail.com
