Nat and Alli sit down to discuss Céline Sciamma's 2019 romance, Portrait of a Lady on Fire. Critics and viewers often refer to PoaLoF as a "lesbian love story," but how does Marianne's implied bisexuality play into the film? How does the movie grapple with capital-t-Themes like Art, Love, and Memory, while still grounding itself in Marianne and Héloïse's love affair? How many times will Nat whine that this movie is "so f***ing gooooOOOooood?"
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