Write it on your heart that every day is the best day of the year. Emerson. Because of her long life, Fanny Crosby had an extraordinary relationship with several United States presidents, even penning poems in their honor on occasion, and she was influential on the spiritual life of or a friend to Presidents Martin Van Buren (8th), John Tyler (10th), James K. Polk (11th), and Grover Cleveland (22nd and 24th). She addressed a joint session of Congress on the topic of education for the blind.
BLESSED ASSURANCE - Text by Fanny Crosby. "Blessed Assurance" was published in 1873 in the monthly magazine edited by Joseph Fairchild Knapp and Phoebe Palmer Knapp, Guide to Holiness. Editor John R. Sweney included it in Gems of Praise (Philadelphia, 1873), and Knapp also chose it for "Bible School Songs" (1873). Perhaps the biggest boost came when it appeared in Gospel Songs, No. 5 (1887) by Ira Sankey and was sung extensively in the Moody and Sankey revivals in Great Britain and the United States. It has been a part of Methodist hymnals since 1889.
This hymn has inspired many singers ranging from those in evangelistic crusades to theologians. Don E. Saliers, William R. Cannon Distinguished Professor of Theology and Worship Emeritus at Candler School of Theology, Emory University in Atlanta, borrowed a portion of the opening stanza for his liturgical theology text, Worship as Theology: Foretaste of Glory Divine (1994). If one enters "foretaste of glory divine" into a Google search, numerous sermon titles appear that incorporate this phrase. YouTube renditions of the hymn abound.
Crosby captured the poetic essence of the Wesleyan understanding of Christian perfection in the phrase, "O what a foretaste of glory divine!" The entire hymn is focused on heaven, a place where "perfect submission" and "perfect delight" [stanza 2] will take place. The earthly existence is one of "watching and waiting, looking above" [stanza 3]. As we submit ourselves to Christ and are "filled with his goodness" and "lost in his love" [stanza 3], we are remade in Christ's image and are moving toward Christian perfection.
This hymn appeals to the senses in a rich way. Not only do we have a "foretaste of glory," we experience "visions of rapture [that] burst on my sight," and we hear "echoes of mercy, whispers of love" [stanza 2].
The refrain calls us to "prais[e]. . . my Savior all the day long," echoing I Thessalonians 5:17, "Pray without ceasing."
Middle class women in nineteenth-century United States had little voice in worship, however. One of the only ways for a woman to claim the authority to be heard was by direct personal revelation from God. Fanny Crosby readily claimed God's personal revelation as a source for her hymns; her personal revelation then became a communal inspiration as Christians throughout the world sang her hymns and confirmed her faith experience as their own. SOURCE: Discipleship Ministries by C. Michael Hawn on February 18, 2014. One of 13 international agencies of the United Methodist Church, Discipleship Ministries helps local church, district, and conference leaders fulfill the shared dream of making world-changing disciples.
Discipleship Ministries—based in Nashville, Tennessee—connects leaders with needed resourcing, training, consulting, and networking that support spiritual formation, new church development, revitalization of local churches, and materials for use in Central Conferences. The agency has embarked upon an integrated, strategic direction that serves the church with continuity, based upon basic values and mission for over 45 years.
Dr. Hawn is distinguished professor of church music at Perkins School of Theology. He is also director of the seminary's sacred music program. https://www.umcdiscipleship.org.
