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Description

Its Spooky month so Liv and Ellie are celebrating with a four part Halloween series! Join in the fun as we cover the background to some of the most beloved Halloween costumes; this week, join our coven as we talk all things Witches!

Liv and Ellie talk all things hats, cloaks and why the way someone dressed could be why they were accused of witchery. 

For more please follow us on Instagram @ifclothescouldtalkaus

Subscribe to our Youtube Channel 'If Clothes Could Talk'

If you have any questions, comments, concerns, or ideas for future episodes please email us at ifclothescouldtalkaus@gmail.com

Credits

Hosted by Liv Hutley and Ellie Gunton

Recorded and Edited by Fiona Lloyd Harding

Theme Music Created by Fiona Lloyd Harding

References

Blumberg, J. (2007, October 23). A Brief History of the Salem Witch Trials. Smithsonian Magazine. https://www.smithsonianmag.com/history/a-brief-history-of-the-salem-witch-trials-175162489/

Hewitt, D.G. (2019, January 6). 18 Reasons One is Executed for Witchcraft during the ‘Burning Times’. History Collection. Retrieved January 12, 2021, from https://historycollection.com/18-reasons-one-is-executed-for-witchcraft-during-the-burning-times/7/

Lodi, M. (2019, October 29). The Complete History Of Clothes Worn By Witches. Bustle. Retrieved September 12, 2021, from https://www.bustle.com/p/the-complete-history-of-clothes-worn-by-witches-from-the-salem-witch-trials-to-the-craft-19260755

Perkiss, D. (2020, January 1). Witchcraft: 8 Myths and Misconceptions. English Heritage. Retrieved September 12, 2021, from https://www.english-heritage.org.uk/learn/histories/eight-witchcraft-myths/

Cox, A. 2020. A Dress Historian Explains the History of the Witch Hat. [video] Available at: <https://www.youtube.com/watch?v=6Da0pwR-woE> [Accessed 3 October 2021].

MacFarlane, A. (1999). Witchcraft in Tudor and Stuart England: A regional and comparative study (2nd ed.). London UK: Routledge.

Hui, R. (2018). Anne of the Wicked Ways: Perceptions of Anne Boleyn as a Witch in History and in Popular Culture. Parergon 35 (1), 97-118. doi:10.1353/pgn.2018.0005.