We explore the filmically historical significance of David Lynch's entire catalogue, discuss the merits of DuĊĦan Makavejev's WR The Mysteries of the Organism vs. Tommy Wiseau's The Room, a long-awaited Creedence payoff, Maude's hitting implement, we don't understand car door locks, door parts are pylons, a regular cigarette butt, a parallax-less nondistant object, and we go down a bad air rabbit hole on famous or not-so-famous fake beers.
LINKS:
interesting article with Luc Besson discussing camera operations and dollying
JW would love this app
Oh, Lindsay
nihilism update
fictional beer brands
