Nathan and Ryan dig up Michele Soavi’s Cemetery Man (1994), a surreal and darkly comedic take on the zombie genre that’s equal parts arthouse and grindhouse. Starring Rupert Everett as a cemetery caretaker battling both the undead and his own existential despair, this Italian cult classic bends horror tropes into something bizarrely poetic. The hosts discuss its themes of death, desire, and madness, its dreamlike tone, and why Cemetery Man remains one of the strangest, most unforgettable zombie films ever made.
