In this riveting episode of "The Inner World of Filmmaking," our esteemed host and filmmaker, Tami Magaro, delves into the creative depths with the talented screenwriter, Kate Hewlett. Prepare to be captivated as Kate unfolds the fascinating narrative behind her maiden feature film, "The Swearing Jar."
Join us as Kate takes us on a thrilling journey through the intricate nuances of transforming a play into a cinematic masterpiece. Get ready to be intrigued by the behind-the-scenes tales of casting the legendary Kathleen Turner and gain insights into Kate's prolific contributions to television, where she has left her mark in the writers' room of acclaimed shows like "Corner Gas Animated," "Malory Towers," and more.
This episode is not just a conversation; it's a symphony of creativity, a tapestry of storytelling, and an exploration of the artistry that fuels the magic of filmmaking. Tune in for an engaging encounter that transcends the ordinary, as Tami and Kate unravel the mysteries behind the scenes.
Find this episode on Youtube @innerworldoffilmmaking
Instagram: @kateofthehewletts
Kate is a screenwriter, songwriter, and actor living in Hamilton, Canada. Her feature film, The Swearing Jar (Starz/Crave) premiered at TIFF in 2022 and the screenplay received a Writer’s Guild Award nomination for best feature film. The stage version won Best Play at the New York Fringe and was nominated for a Governor General’s Literary Award. Kate’s favourite TV writing credits include Malory Towers, Corner Gas Animated, The L.A. Complex, Seed, and Backstage. Meanwhile, in acting land, Kate has played lead roles in The Parker Andersons/Amelia Parker, Fancy (CBC), The Stanley Dynamic (YTV), and 11 Cameras (CBC) as well as recurring roles in Run the Burbs, The Girlfriend Experience, Stargate: Atlantis, Degrassi, Murdoch Mysteries, The L.A. Complex, Holly Hobbie and Remedy. Kate
is a four-time Canadian Screen Award nominee and one-time winner. She is writing a dramatic pilot and co-writing a comedic series for AMC Studios. She graduated from the National Theatre School, Queen’s University, and the Canadian Film Centre.
