Credits
Banner: Sri Sravanthi Movies
Cast: Tarun, Sreya, Prakash Raj, Chandra Mohan, Sunil, MS Narayana, Dharmavarapu Subramanyam, Chitti Babu, Sudha, Pragati, Rajiv Kanakala, Anitha Chowdary, Swapna madhuri, Silpa Chakravarthy, Sudarshan, Naveen
Lyrics: Sirivennela Seetarama Sastry
Music: Koti
Photography: Hari Anumolu
Editing: Srikar Prasad
Art: Peketi Ranga, Ram Mohan
Choreography: Suchitra Chandra Bose, Shankar
Producer: 'Sravanthi' Ravi Kishore
Story - Dialogues - Screenplay - Direction: Trivikram
Release date: 10th October 2002
Interesting Facts:
Nuvve Kaali Vanamani house shooting, Trivikram narrated the story to Ravi Kishore. He went to his car and brought his check book, and gave him advance as much as he got entire rumenuration as writer for Nuvve Kavali, he bought a bike with that money.
At that point Nuvve Kavali still hadn’t released and he had confidence in him to do it. So basically everybody who worked for Nuvve Kavali worked again for Nuvve Nuvve as a formality basically as goodwill. Went to Mumbai to meet Shriya to narrate the story
I directed Nuvve Nuvve film after the release of Nuvvu Naaku Nachav. I couldn’t do that film the way I wanted. I was not completely satisfied with my work. I think the dialogue writer in me dominated the director in that film. However, it was a commercially successful project for the producer and was a hit at the box office.
Writing/Direction:
So actually the main point is that a father’s love for his daughter can never be beaten. The entire movie is actually a flashback because Prakash raj narrates entire story to Tanikella Bharati of what happened.
The best part of the movie is that its very realistic but also the whole world created for the characters. Basically all of them face the same problem which is everybody is torn between father and lover all 3 main characters.
Also with Rishi, Anjali, and Viswanath, you get to travel with them, learn their worlds, learn their ideologies, and learn the way they think and go through this wile journey with them which is rare for a film.
But much like the movie idiot, this is one of those point of view movies, and if you ask me the only correct POV is Prakash raj. But yourself in his shoes and whatever doubts he has they are valid. Praksh raj isn’t even the villain, hes just a man trying to understanding veeyrhting and fears that someone other than him will love his daughter kore than him.
Vishwananth seems like a man with such high morals and everything but theres a crucial scene with Rajeev Kanakala where he calls out Viswanath’s hypocrisy and he starts to think about it.
Also Rishi and Anjali’s actions start to affect their families as well and its like everything that’s going on is basically like a chain reaction, IN that aspect this is a brilliantly written and directed film.
He eventually loses and gives Anjali to Rishi.
That being said two points seemed very over the top: First one was them just casually going to Mumbai and back,
idk how that works but it seemed quire unrealistic and illogical and then they run out of petrol and just keep pushing the motorcycle towards Annavaram. What he did there was actually stalking even though they like each other.
Also the movie pace was really slow and especially 2nd half it just completely slowed down. The copy iw watched was 2 hrs 48 mins. Also movie is so dialogues heavy that I get exhausted. Its one thing to have heavy dialogues and they work, like theyre really good, the opposite would be Aagadu so I hope it makes sense.
These drama movies aren’t my thing no matter how good the drama might be, I need some other commercial elements in the movie. Very little Trivikram mark comedy as well.
Direction by Trivikram is good for the characterizations, writing, and dialogues. But huge pacing issues as the movie is very slow and feels like a lot of lag in between giving boredom.
In the end, Amma avakayi Anjali bore kottindi actually.
