Just like song, for writing to work it must have rhythm. This has taken me a long time to learn. I came across the idea in Haruki Murakami’s memoir, Absolutely on Music. This book is about a series of conversations with the former conductor of the Boston Symphony, Seiji Ozawa. The novelist meets the maestro. They talk. Learn what the novelist has to say about writing and rhythm and decide if prose rhythm matters with less than average examples. Hear the music in the prose of Beryl Markham and David Foster Wallace.