This week Marcus and Sam speak to Sonya Dove who is Wella’s Global Creative Director and Marcus’s big sister. Sonya has been with Wella for 40 years and hairdressing for 45 years. On a day to day basis Sonya travels around the US and Canada educating and mentoring hairdressers. She also does classes and photoshoots. Hairdressing has given her the opportunity to travel the world. She still travels at least two to three times per month.
Sonya says photoshoots can be for hairdressers, or for consumers. She used to work in a salon, but now with all her other work she does not have time for that. Sonya has had her work on the front of almost every hairdressing magazine. Sonya says it’s hard to find the right photographer for a hair photoshoot. Most photographers don’t focus on the hair in the right way. Lighting the hair right is really important. With darker hair colours this becomes harder. Getting the texture, colours and dimensions, especially with dark hair is very challenging. All other parts of the model and shot are extra. The hair is key. Sonya says she has done photoshoots where the detail of the hair is lost. However she realised that this was as much on her as the photographer as she hadn’t explained what she wants. As a solution to this she suggests mood boards are a great way to discuss this type of thing before the shoot.
Marcus says there is lots of work out there for hair and beauty photographers. If you think about all of the hair dressers and salons out there who need work, as well as manufacturers, the number of potential customers is huge. At the moment Sonya works with Richard Monsieurs. She has also worked with Marcus many times, Robert Lobetta and many more. Sonya says the personality of the
photographer can make or break a photoshoot. They need to be calm, get on with everyone and really understand what is needed from the end result.
Sonya says there is huge amount of potential work as a hair photographer, even at a local level with all the salons.
Studio photography is safe as you can totally control the lighting and environment. But Sonya also says this can be very sterile as sets need to be build or use green screen. So these are great for some shoots, but she prefers location shoots for the atmosphere. But for the photographer there is less control. That background provides so much for the shot. But outside there can be issues with heat, rain, wind, etc. Sonya says she did a shot in the desert which was quite complex and the poor model started to get sun burnt.
Marcus asks if hair shoots are moving to more on location out of studio shoots. Sonya says yes. Campaigns are getting out of the studio and moving to more editorial, lifestyle of shoot and campaign. The idea is the campaigns try to look like getting great hair is simple and easy to do.
Marcus asks how a photographer could get into hair photography. Sonya says going to shows is great for building a network. The next thing is putting you out on social media as a hair photographer. Explain you are looking for
hairdressers to help them show off their work. Competitions are great to enter and can help boost your visibility. If
you go to a brand they will want to see your portfolio and you’ll need at least twenty stunning shots. So the best thing is start with this and move on to brands once you have experience and a great portfolio.
Sonya explains that hair photography is lots of fun and a
very lucrative area of photography. She has worked with a range of photographers with a lot of different approach
to retouching. Some people she works with do very little retouching , but spend a lot of time getting the initial shot perfect. Other photographers do lots of retouching. And during a shoot the photographer needs to be talking to the team on a photoshoot to ensure everything goes as they want.
You can get hold of Sonya here
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