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Join us as we explore Henry Koster’s ambiguous fantasy, the film’s messaging, comedic elements, and the unique character of Elwood and the use of old-fashioned language. We discuss the film’s portrayal of invisible relationships and themes of homosexuality, its approach to coping and alcoholism, the sense of containedness and the character of Myrtle, as well as approaches to black-and-white cinematography. Please enjoy
Harvey (1950)
Music from #Uppbeat (free for Creators!):
https://uppbeat.io/t/prigida/moonshine
License code: 0IZBWPDTQHBPMAOL