Paul Frith and Keith Johnston both lecture at the UEA, and will be at the Hallowed Histories screening of the Shuttered Room this November. The film is a heady mix of karate, Oliver Reed, family curses, shaky accents and HP Lovecraft. In this brief interview we scratch the surface of Eastmancolor and it's place in revolutionising cinema, and how it gave The Shuttered Room it's lurid look.
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This episode was recorded at the UEA media suite with research support from the Norwich Heritage Centre, with thanks to them both for their support.
This episode was written by me, Richard Sheppard, with research by Dr Linda Sheppard.
