78- “Dauhood” and Harold Land
Standards Rating 6 Difficult Rating 7
Harold Land was a prominent tenor saxophonist known for his deep, emotive tone and contributions to the hard bop and post-bop styles. His career launched in the late 1940s, gaining national recognition in 1954 as a member of the Clifford Brown/Max Roach Quintet. One of their signature tunes, “Daahoud,” (by Clifford Brown) exemplifies Land’s lyrical yet rhythmically sharp improvisation. The composition itself is harmonically rich, built on a 36-bar AABA’ form with intricate ii–V progressions and chromatic movement, posing a challenge for improvisers. In the original 1954 recording, Land’s solo is focused and inventive, matching Clifford Brown’s technical brilliance. Max Roach’s dynamic drumming and Richie Powell’s bebop-informed piano work round out the ensemble’s tight interplay. Land continued to evolve stylistically throughout his career, later embracing Coltrane-inspired modalism while retaining a uniquely introspective voice. Though underrated compared to peers, Land's playing on “Daahoud” cements his status as a vital figure in modern jazz history.
