In a political war rife with ugly rhetoric, Alix Golden brings a “new” weapon to the table: song. In this episode, we are talking to actor and writer of the new show Belters–where the broads of Broadway take on Fascism. Join us as we talk about the importance of theater, music, immigrants, religion, and divorce. Listen to how Alix wrote this production from the inside out - being part of the production as she is creating it, and finding the external pressure to fight against the powers of procrastination. And be on the look out for Alix’s next show, There’s a Penis in There Somewhere. Just kidding…maybe…Alix, make it happen.
So everyone, go see Belters this October at 3rd Act Theater:
October 4th: 5:30pm
October 5th: 1pm
October 10th: 5:30pm
October 11th: 2:30pm
And let me know how many shows you get to on the Theatre Crude list!
Get tickets here: Theatre Crude Tickets
The arts are under attack, and buying tickets is a great way to show your support and fight back.
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Thank you for listening!
Host/Shakespearean Shrew: Karen Feiner
Co-Creator/Brew Shrew: Michelle Coffman
Cover Art Creator/Artistic Shrew: Katie Kimberling www.halfmaverick.com
Thank you to our guest Alix Golden.
Alix Golden (Writer/Zsa Zsa) is a graduate of Classen SAS where she studied theatre with Terry Veal and Michael Payne. She attended Adelphi University to earn her BFA in theatre. As a student, she co-wrote and directed This is What We’ve Got So Far. Recent acting credit: She Kills Monsters (Carpenter Square Theatre), Mother Road, Lyric’s A Christmas Carol (Lyric Theatre), A Midsummer Night’s Dream, Shakespeare in Love (Oklahoma Shakespeare in the Park), Inherit the Wind (3rd Act Theatre), The Last Night of Ballyhoo (Jewel Box Theatre, Gem Winner). She is so excited to share this play with you.
