Punk, Cleveland, and the Myth of Peter Laughner
Corrupt adults from Ikebukuro
We sit down with Aaron Lange, Cleveland-based author and illustrator, to dig into his graphic biography of Peter Laughner—the first casualty of the punk era and a cult figure whose legend still lingers. Lange explains how he used Laughner as a literary device to tell a bigger story: the rise and decay of Cleveland, from industrial boomtown to post-industrial wasteland, and the cultural scenes that emerged along the way.
We explore Laughner’s restless life—his poetry, his role in Rocket from the Tombs, his chaotic friendship with critic Lester Bangs, his zipping between Cleveland, Detroit, and CBGB’s in New York. We talk about how he never recorded a proper studio album, how his myth grew after his death at 24, and why his presence still haunts the first Pere Ubu record.
Lange describes his seven-year research odyssey: combing archives at the Rock & Roll Hall of Fame, paging through old school yearbooks, and even unearthing unheard recordings. We dive into the Cleveland backdrop—industrial decline, race riots, the river catching fire, Kent State, the strange world of supper clubs and tiki bars—and how all of it seeps into the book’s pages.
We go blow-by-blow through the book’s structure: its collage-like illustrated style that defies traditional comic panels, its dense history-packed early chapters, and the way it juxtaposes music scenes with the city’s noirish history—the Torso Murderer case, the tragic Dr. Sam Sheppard trial, even TV horror host Ghoulardi (father of director Paul Thomas Anderson).
The conversation veers into punk’s uneasy relationship with progressivism, the overlooked intellectual side of the Electric Eels, and the contrast between proto-punk’s raw urgency and the expansive weirdness of prog rock. We discuss the book’s reception in the music world, its cool but mixed reception in comics circles, and the challenges of publishing such an ambitious project.
We reflect on how Lange’s hand-drawn approach—ink, brush, Bristol board—shapes the texture of the work, why digital tools often fall short, and how the book stands as both a biography and a psychological portrait of a city. More than a tale about one doomed musician, it’s about the environment that forged and forgot him.
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