Tony Gilroy's first film since "The Bourne Legacy" follows a session cellist drifting through affairs, movie score gigs, and a mystery involving a teenage avant pop star. Pedro Pascal actually learned to play cello for the role, nine film composers contributed to the score, and somehow it's still not quite "Tár." We get into the meta score gimmick, Olivia Wilde's stalker energy, and why this one's more scherzo than symphony.
