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As horror fans gear up for filmmaker Zach Cregger’s (Weapons) highly anticipated Resident Evil (2026) reboot from Sony Pictures—promising a terrifying return to Raccoon City and true survival horror gameplay roots—we look back to where the cinematic franchise began.

The 2002 Resident Evil film laid down profound cultural markers. In this educational interview, guest Josh Patterson joins us to break down how the original film serves as a timeless critique of modern society, tech addiction, and capitalistic greed.

We dive deep into the symbolism of the Red Queen AI, corporate surveillance capitalism, and the philosophical concepts of Michel Foucault and Byung-Chul Han regarding auto-exploitation. Whether you are counting down the days to Zach Cregger's new movie release or analyzing artificial technology themes, this episode uncovers the unexpected spirituality, process theology, and deep message of defiance hidden beneath the surface of the Umbrella Corporation's horrors.

Get info for THEOLOGY BEER CAMP online: https://theologybeer.camp/

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