Per Ron, this is a foundational episode, really what people think of when they think of The Prisoner.
Is Leo McKern the bestest #2 ever? Can art represent both the profundity of the religious experience and a rickety boat at the same time? Is it ever a good idea to allow for illegal weaponish items in the Village? Can a woman ever be trusted?
You won't know the answer to any of these questions if you don't listen to this episode!
Us
