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This week, I had something quieter planned. But the world changed again. In this episode, I turn to the musicals that donโ€™t offer escape โ€” they offer resistance.

From the seductive silence of Cabaret, to the resurrected rage of Parade, to the looped lament of A Strange Loop, these stories donโ€™t just entertain. They protest. They prophesy. They pray.

This is a theology of theatre-as-truth-telling. Of sacred memory and unfiltered survival. Of musicals that refuse to stay silent.

๐Ÿ“– Based on the essay published on Musical Midrash:

https://dustinwilsor.substack.com

Featuring:

๐ŸŽญ Cabaret, Parade, A Strange Loop

๐Ÿ•Š Jeremiah, James Cone, and Black prophetic lament

๐ŸŽถ โ€œThis Is Not Over Yet,โ€ Lift Evโ€™ry Voice and Sing, and psalms in survival mode

๐Ÿ’ก Themes of memory, queer theology, fascism, and sacred refusal

With quotes from Prepare Ye, the Way of the Lord: A Theology of Musical Theatre for the Church, the Stage, and the Sanctuary

๐Ÿ”– Topics: Musical Theatre | Protest | Process Theology | Lament | Queer Survival | Sacred Storytelling

๐Ÿ”” Like, subscribe, and share if the revolution is already singing.



This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dustinwilsor.substack.com/subscribe