Something’s missing:
The fact that this piece was conceived independently of its solo line is a marvelous insight into Bach’s compositional process. Somewhere along the way, Bach revisited the piece and added the upper line:
Here is a link to the video where Schiff talks about the Well-Tempered.And don’t miss the Kurt Vonnegut moment at 32:45!
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Concepts Covered:
BWV 854 and BWV 855 in the Well-Tempered Clavier, Book One, two-voice fugue, the early versions, Bach’s revision. A look at finding the right character, as seen in the Christmas Oratorio, where motivic cells show a consistent compositional logic. Bach’s improvisation, or at least improvisatory style while writing a solo line over a preformed prelude, and predetermined harmonic rhythm. We also see Bach’s use of parallel octaves in Bach, and parallel octaves in the Well-Tempered Clavier. Contrapuntal analysis, study.
