Dear Reader,
In this Thanksgiving season, I just wanted to take a moment to express gratitude I’ve been feeling for three people here on Substack that I admire, and who have helped me to connect with a bunch of you.
Carson Ellis Carson is a busy artist / illustrator and children’s book author, but when I asked her for her take on Substack almost two years ago she emailed back the same day with a 600 word email. At some point between then and now she added Soundwalk to the recommendations that appear in the sidebar of her newsletter, Slowpoke. In the interim nearly one in five of my subscribers found me through her! That knocked my socks off. It’s a testament to the naturally curious people that gravitate to her and her amazing work. Three cheers for Carson Ellis!
Rowen BrookeI was immediately curious about Rowen’s fast-growing newsletter, Field Notesfrom its title. Her posts relate her observations, challenges and insights in pursuit of becoming both a regenerative flower farmer & florist and aspiring naturalist. Her recent posts indicate a measured advance toward the latter, given the sensory detail emerging in her writing. Rowen’s past recommendation of Soundwalk points to nearly one in ten subscribers finding me through Field Notes. Thanks Rowen!
Colin Meloy Colin is the frontman for The Decemberists, the author of many books, and is married to Carson Ellis. You’d be forgiven for thinking he couldn’t possibly sound like his writing in real life, given his ability to weave in some impressive and uncommon vocabulary words in his newsletter, Colin Meloy’s Machine Shop, but I’m here to tell you that he does. He writes like he talks, folks. Colin slipped Soundwalk into a little list he worked up for the official guest-authored compendium The Substack Post halfway through 2024. I recollect my subscriber count jumped by well over 100 overnight! A generous inclusion, to be sure. Thanks Meloy!
It really underscores how meaningful word-of-mouth is to someone like me. If you’re reading this and found me through a recommendation, feel free to let me know with a ‘like’ or comment below.
On to this week’s soundwalk. Last week I shared a recording made at Natural Bridges in Washington, a site with two rock bridges spanning a rock-jumbled ravine. The bridges were the remnants of a lava yube cave ceiling, created 12,000 to 18,000 years ago. A few miles away, another complex of lava tubes known as Guler Ice Cave(s) remain intact.
These caves, once commercialized for their ability keep ice and preserve harvested crops by one Christian Guler, are easily accessed today, though exploring them extensively requires crawling through cold, dark, tight passages.
My recording is centered on the main cave mouth that is pictured above. Once again you hear that marvelous wind in the pines (which appeared in the previous two recordings) juxtaposed against a constellation of drips, plinks and plops in the foreground.
My composition pulls from complimentary instrument voices: the sweep of a dobro-derived synth pads; the resonance of low end stringed instruments; the percussive twinkle of a Dulcitone celeste; the shimmer of a percolating “swarm” synth pad. It’s all designed to mirror the tonality of the cave entrance environment.
Strains of Pine Siskin and Dark-eyed Junco filter in.
This is a short, textural audio postcard. I hope you enjoy it. Ice Cave is available under the artist name Listening Spot on all streaming platforms today Friday, November 21st, 2025.
