A few weeks ago, Tate Britain hosted a captivating intersection of art, history, and activism. The Neo Naturists, a trailblazing artist trio consisting of Jennifer Binnie, Christine Binnie, and Wilma Johnson, captivated visitors as they transformed their nude bodies into living representations of iconic nude artworks from the gallery’s collection, challenging the audience with a provocative question: “Do women have to be naked to gain entry into the Tate Gallery?” The lecture was part performance art, part art history, and part legitimate rebellion, cleverly criticizing the very establishment where they’d worked for over forty years to have the opportunity to exhibit. 🪐
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