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The way sound can slip beneath the surface—into memory, into muscle, into places where words haven’t yet been able to tread—it’s profound. And it’s real.

It happened in response to the following Video within the ARTSTACK Poetry challenge:

🖋️ Write a poem inspired by Teezo Touchdown - UUHH (Instrumental).🎧 Include a 30-second audio clip (of the instrumental, your voice, or other relevant sounds) in your post on Substack.🗣️ Optional: Record yourself reading your poem out loud and include that audio too. Give your words voice.

What I experienced wasn’t just a reaction to music. It was a whole-body remembering. That pounding beat, the relentless drive of the bass—it didn’t land as rhythm. It landed as a trigger. A summoning. A reminder of what it feels like to be overpowered, overwhelmed, made small by something louder than my own voice.

And still—I stayed with it, if only for a moment. Turned toward the sensation instead of away from it. Not because I had to, but because I could.

So I’m not writing from the sound. I’m writing from the after. From the breath that came after the noise. From the pause. The reclaiming. Not of the music, but of my own voice.

bodymemory (in bass)

BOOM.

not a beat—

a blow.

a command:

move.

but I freeze.

static in my fascia,

pain-spiked spine,

shoulder blades clench

like they know what’s coming.

no music here.

just a mother’s voice,

volumed-up violence

in 4/4 time.

and the floor—

it isn’t a dancefloor.

it’s a witness.

to impact.

to recoil.

to retreat into bone.

I do not move

to this rhythm.

I brace.

//cut the sound//

(quiet now.)

my breath—

a softer metronome.

irregular.

still mine.

I walk backwards

out of the noise.

into the hush.

into a meandering

remembering

not to forget but

not to relive.

I write not from the bass,

but from the space

where the bass used to be.

.

#ThePoetryHaul #artstackpoets

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