Some songs are written to explain something.I Feel You was written to sit inside it.
This track started as a question: what does connection sound like before it becomes language? Before certainty. Before touch. The answer wasn’t lyrics stacked on top of each other. It was breath. Space. Repetition. Restraint.
I Feel You moves like a thought you can’t shake. It opens slowly, almost cautiously, then finds its rhythm and stays there long enough for your body to catch up. The disco influence is intentional, but not nostalgic. This is movement without urgency. Desire without announcement.
Brixley’s voice becomes part of the groove rather than floating above it. The song doesn’t demand attention. It waits. And somehow, that makes it impossible to ignore.
This isn’t background music.It’s the moment you stop scrolling and realize you’re listening.
If this song meets you at the right time, don’t fight it.Let it loop. Let it linger. Let it tell you what it needs to tell you.
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