Paste by Henry James
“She had laid the pearls on his table, where, without his having at first put so much as a finger to them, they met his hard, cold stare.”
There is something about the writing style of Henry James that can leave one with the impression that his work exists in the service of the hoi polloi; that his work is snobbish and unrelatable. Respected biographer Carl Van Doren once referred to him as the “laureate of leisure,” and there is surely something rather gilded about many of the narrative backdrops he creates.
Alas, if such a notion has prevented you from delving into James’ work, allow me to open the door to a different view with a reading of “Paste,” a short story published in 1899. Modeled after Guy de Maupassant’s story “The Necklace,” James complimented the younger author by adopting a similar theme, albeit turned upside down. In “Paste,” a woman of modest means is gifted a necklace from the estate of her recently deceased aunt. The aunt was the wife of a pastor, living a rather humble life, and the stepson who gives the necklace expresses his belief that it is “worthless paste” but that some sentimental value may be appreciated from its possession.
As the story unfolds, the origin and value of the necklace are called into question, and the stakes rise. With “Paste,” James creates a tension directly from the characters’ lack of leisure—there is no one in the story for whom resolution is immaterial. In an incredible efficiency of plot development, he puts the psychology of the situation front and center.
I’ll be publishing a reading of de Maupassant’s “The Necklace” next week, so stay tuned for that release and decide for yourself if James’ reinterpretation is an improvement on the original.
Please enjoy…
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