It’s a new year, and that brings the promise of a new you. But are you able to leave your past self behind, move to a new city, and start a new life, all while still telling the same old lies, continuing the same old habits? The adage says, “You can run, but you can’t hide.” Not in the shadows of half-truths, not in the pretty paper lies. Sooner or later, that ugliness usually catches up to us.
Tennessee Williams’s classic hit, A Streetcar Named Desire, landed to a thunderous half-hour of applause in its first showing, and it went on to become an American classic. It launched Marlon Brando to stardom. But where is Streetcar nowadays? It’s remembered for its sweaty sexuality and its grittiness. It features macho man Stanley Kowalski (with his bulging muscles and his pushy, bully attitude) forcing himself onto the lies told by his fragile sister-in-law, Blanche — and ultimately, forcing himself onto her. In the end, Blanche’s sister (Stanley’s wife) chooses not to believe her sister because it keeps the peace of her happy household lie.
So, does Streetcar have any space in a 2026 America? Is it too racy, too gritty for current audiences? For parents who don’t want their kids reading such “smut” during junior or senior year? Is it at all socially relevant to appear on community theater stages? This week, Hannah comes back to discuss why this classic deserves a second spin, especially nowadays.
Second Stage is a Free Zone Radio production. You can find our show alongside our other podcast, With Honors.
Also, throw some love at our brother podcast with Coach Haston, A Deadman’s Books. You can find him at spots like
as well as Haston Curation, on Spotify at
This episode also features “Caught in the Middle” by Amarent and “Flea Bop” by Mr. Smith, available under a Creative Commons Attribution-Noncommercial license.
