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Part 1 of PINOT GRIGIO VS THE M4TRIX 

Why did Jamie pick a grape stereotypically associated with day drinkin’ white women to dedicate six episodes to? What compelled Scott to match Jamie’s single-varietal-miniseries with Lana Wachowski’s extremely divisive fourth Matrix movie? How did the modernizing techniques of this producer lead to the ubiquity of neutral, garbage wine that Jamie says sullies Pinot Grigio’s good name? Why are there two different versions of the Auteur Theory and do either have any parallels in The World of Wine? Will our hosts manage to discuss the entire filmography of the Wachowskis, or will they just want to talk about SPEED RACER the whole time? Pour a big glass, jack in, and press Play friends. We’re out here taking a big, possibly ill-advised swing. Come with us.


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Our NEW art is thanks to Ross Connard!

Music is selected from Camille Saint-Saëns’ ‘The Carnival of the Animals - XII. Fossils’ as performed by the Seattle Youth Symphony, licensed under Creative Commons (https://creativecommons.org/licenses/by-sa/3.0/legalcode)