dattrax: I made this on my friend’s Allen & Heath XONE: 92 set up with two Technics SL-DZ1200 cd turntables(pictured here) in her three floored Bar/ Lounge in downtown Toronto.
This mixer outputs great crisp sound, and looks & feels great. It’s sturdy and responsive- that’s probably why I’m not into midi-controllers (yet), they feel like toys and all the knobs and slides are super loose w/ no tension. I think it would take a while to get used to and I don’t believe I can have the control necessary. This “92” is the only mixer that I’ve played on that splits the mids into two (hi and low halves of the midrange) on each channel, so that you have more control of the mid-range sounds.
Great for isolating vocals, congos, washes, etc. Unfortunately I didn’t spend enough time testing the sound and the result after recording when I fooled around w/ the midrange EQ knobs. Since I know nothing about sound/ music, just what I like when it comes to house music, I started mixing and recording.
I realised later that the way I had the mid’s EQ’ed for most of the tracks, the whole mix had a slight sharp shrill sound that is unpleasant to the ears at higher volumes. I removed some of the low end off the midrange thinking that it would enhance the mid, but it just made it hallow and too sharp. Another mistake I made was not testing my latest batch of buys off of Beatport.com. At 10mins “Tide” and 25mins in “Casualties” w/ Eryland Oye’s vocals, these two for some reason was overly compressed and mastered incorrectly, so the highs are too sharp and the bass is not tight. And it didn’t help w/ my poor EQ’ing compounding the situation. You win some and you lose some, but you always learn in the process. I can’t tell you how many good mixes have gotten ruined because of new things (different- software, hardware, etc.) I was trying and backfired.
This was such a fun mix listening to that I didn’t have the heart to delete this one. This mix is full of exciting house tracks w/ techy grooves smoothly aggressively blended together.
Starting two minutes in w/ “Anymore” by Badmouth remixed by Phonique. Another of my favourite vocal tracks begins almost 13mins in, “Moan” by Trentemoller remixed by Radio Slave. Within 34mins, “Calling You” by Electrochemie drifts in haunting vocals and hypnotic beats & grooves. Love Electrochemie! They probably couldn’t imagine their dark and electronic tunes would be mixed w/ these other house tracks. I want to make a 45min, Electrochemie tribute mix soon!
BTW... if you enjoy this mix, then why don't you buy us a beer? There's a PayPal DONATE button on the top right side of this website. For Toronto or Global bookings: dattrax@gmail.com