她曾讓觀眾在藝廊裡隨意對她的身體施加任何行為。她曾與戀人在萬里長城分別，各走兩千五百公里只為在中段道別。她曾在紐約現代藝術博物館靜坐七十五天，與超過一千五百個陌生人對視，其中包括她二十二年未見的前任。
瑪莉娜阿布拉莫維奇，一九四六年生於南斯拉夫貝爾格勒，父母皆為二戰英雄，但她的童年卻在外婆的宗教管教與母親的嚴格規訓中度過。這段壓抑的成長經歷成為她終其一生藝術創作的燃料。她放棄了畫布，選擇以自己的身體作為媒材，探索人類意識的邊界、痛苦的意義，以及人與人之間那道無形的玻璃牆。
她的作品改變了我們對藝術的定義。她的行動改變了我們對身體的理解。她的凝視改變了無數走進她作品空間的人。這一集，Jenny帶你走進行為藝術之母半世紀的極限人生。
She once stood motionless in a gallery while audience members were permitted to do whatever they wished to her body using any of the seventy-two objects on a nearby table, including a loaded gun. She once walked 2500 kilometers of the Great Wall of China to meet her former partner in the middle and say goodbye. She once sat in silence at the Museum of Modern Art in New York for seventy-five days, looking into the eyes of over 1500 strangers, one of whom was a man she had not spoken to in twenty-two years.
Marina Abramovic was born in 1946 in Belgrade, Yugoslavia, to two war heroes who were rarely home. Raised by a deeply religious grandmother and governed by a fiercely strict mother, she grew up in an environment of suppression and discipline. That atmosphere became the fuel for an artistic life that would challenge the very definition of what art can be.
Abandoning the canvas, she chose her own body as her medium and spent fifty years asking the hardest possible questions about pain, presence, love, and mortality. This episode of Thinker J is the story of the grandmother of performance art and the woman who turned her life into her greatest work.
瑪莉娜阿布拉莫維奇, 行為藝術, 行為藝術之母, Marina Abramovic, 藝術家在場, The Artist Is Present, 當代藝術, 向大師致敬, 沉思者J, Thinker J, 藝術史, 身體藝術, 行為藝術歷史, 南斯拉夫藝術家, 當代藝術家, 威尼斯雙年展, 紐約現代藝術博物館, 烏雷, 萬里長城, 極限藝術
