Description

Today, I’m joined by performance artist Sha Sha Higby—a truly unique creative whose work blends watercolor, sculpture, costume design, and shadow performance into immersive, emotional storytelling.

We talk about her upcoming shadow puppet performance Shadow of the Fox, premiering at the San Francisco International Arts Festival, and dive into her fascinating creative process—one that values intuition, spontaneity, and transformation over rigid technique.

What makes this conversation especially powerful is how our approaches overlap. Whether through watercolor or performance, we both explore how to create depth, atmosphere, and a sense of journey—rather than simply rendering what we see.

Upcoming Performances

Shadow of the Fox
• May 3 & 10 at 2 PM
• San Francisco International Arts Festival (Monkey Brains, Mission District)
• 🎟 Discount Code: 20DISCSHADOW

https://sfarts.org/event/sha-sha-higby-presents-shadow-of-the-fox-world-premiere-3c5jWov5Vwxw4vZwrhYJwm

• July 26– Throckmorton Theater, Mill Valley

In This Episode

We explore:

• How Sha Sha blends watercolor, ink, costume, and movement into one expressive language
  • Creating from intuitive flow instead of structured planning
  • Why rawness and imperfection often hold more power than technical precision
  • The role of transformation in both painting and performance

Her Creative Process

Sha Sha’s work moves fluidly across mediums:

Painting & Textile Techniques
• Airbrush layering using screens for soft gradations
• Traditional sumi ink influences
• Eco-dyeing silk with eucalyptus leaves and natural materials

Animation & Digital Work
• Layered drawing for organic animation
• Digital design combined with physical cutting (Cricut)

Shadow Puppetry
• Working with negative space as its own subject
• Hand-built puppets with wire armatures and light projection
• Reimagining traditional shadow theater with contemporary materials

Influences & Background

• Performed internationally, including multiple shows in Japan
  • Work featured in museums in Vietnam, Oakland, and Bolinas
  • Studied Japanese Noh theater and Indonesian shadow puppetry
  • Early training in sewing, handcraft, and detailed handmade work

Her performance style is slow, meditative, and deeply transformative—drawing inspiration from Noh and Butoh theater to create emotional, dreamlike experiences.

What We Talk About (Deeper Themes)

This conversation goes beyond technique and into the heart of creativity:

• Creating depth instead of surface
  • Letting go of realism to allow transformation
  • The power of negative space—both in art and in life
  • Bringing the unseen, intuitive, and emotional into form

Sha Sha beautifully describes her work as a way of making the invisible visible—something I think many artists can deeply relate to.

A Note on Process

One of my favorite takeaways:

Creativity doesn’t have to be controlled or perfectly planned.
Sometimes the most meaningful work comes from allowing things to unfold—layer by layer, moment by moment.

Sha Sha’s Website

http://www.shashahigby.com/New_Site_SourceFiles/index.html

Sha Sha on Instagram

https://www.instagram.com/shashahigby/

If You Enjoyed This Episode

Subscribe for more conversations on creativity, watercolor, and the artistic process.

To view the visual, go to https://www.youtube.com/live/7C8o0pbjTuo?si=kP03_rOrkwEBJxZC