Kathryn Ferguson, an Emmy nominated director of the multi-award winning feature doc Nothing Compares about the artist Sinéad O’Connor. The project twas natural extension of her ongoing interest in music and power.
Her current award winning short (IFTA nominated / BAFTA longlisted) NOSTALGIE is about a faded English 1980s pop star who is unexpectedly invited to perform in Northern Ireland, pulling him out of musical retirement and into a moral dilemma tied to the unintended legacy of his work.
What begins as an exercise in nostalgia turns into a reckoning when he discovers his music has been repurposed in ways that contradict its original intent.
Ladies and gentlemen, NOSTALGIE was written by Stacey Gregg and based on a short story by Wendy Erskine.
NOSTALGIE explores the intersection of personal vanity, collective memory, and the political afterlife of pop culture.
The lead character, Drew Lord Haig, a former '80s one-hit-wonder turned IT entrepreneur, is stunned when a Belfast battalion invites him to perform at their centenary celebration.
Flattered and intrigued, Drew accepts, hoping to relive his glory days and recapture his youth. Launching into his hit single, the audience appear unmoved.
But on the opening bars of his long forgotten B-side Nostalgie de la Boue, something unexpected happens: the crowd erupts.
Word for word, they sing with fervor, elevating the moment into something transcendent. Drew is overwhelmed, until, afterwards, he learns the truth: the battalion had adopted his song during the Troubles, using it as a rallying cry for covert, brutal operations.
What he once saw as artistic rebellion had become a weapon, a soundtrack to bloodshed. Reeling, Drew returns home, the weight of complicity pressing down. What began as nostalgic curiosity ends in moral reckoning. His music, once his escape, now binds him to a history he never meant to write.
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