Mathew Cerletty (b. 1980, Wauwatosa, Wisconsin) paints hyperreal depictions of signage, commercial tableaux, and everyday items with a precision that veers into the uncanny. At first glance, his paintings appear seamless, almost digital, but closer inspection reveals traces of the artist's hand that attest to his dedication to traditional craft. His recent solo exhibitions include Karma, New York (2025); Herald St, London (2024); STANDARD (OSLO) (2023, 2019); Karma, Los Angeles (2022); Karma, New York (2021, 2018); The Power Station, Dallas (2020); Office Baroque, Brussels (2014); and Blum & Poe, Los Angeles (2013).
